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Going to end my literary inspired pop with one of the best bands to use literature in their lyrics: The Cure.
While
The Cure are well- known for quoting Camus in their “Killing an
Arab”... Robert Smith's lyrics are often literarily inspired: "Adonais,"
"Charlotte Sometimes," "Bird Mad Girl," "Bananafishbones," "How
Beautiful You Are," "Looking Glass Girl"… and so much more (I could do a
blog post JUST on his literary inspirations... )
But the subject of today’s post is the haunting song, "The Drowning Man," from the 1981 LP Faith (a personal favorite) and is inspired by the death of Fuchsia of Gormenghast.
The Gormenghast Novels
by Mervyn Peake take place in the remote kingdom of Gormenghast and
focus on the intrigues that unfold within the huge, isolated Castle
Gormenghast and its environs. The three novels--Titus Groan (1949), Gormenghast (1950), and Titus Alone
(1959)--follow the main character, Titus Groan, from birth to manhood
and chronicle his role as the reluctant ruler of Gormenghast. Titus's
closest relative is his half-sister, Fuchsia, who has an erratic nature
and is given to melancholy since the death of their father. But she's
warm and lovely character who, sadly, never realizes her full potential
in life.
In Gormenghast, Fuchsia learns that the man she loves--the villainous Steerpike--is not what he claims to be, and is in fact a villainous social climber who killed her father. Contemplating the disillusionments of life, Fuchsia stands at a window casement above rising floodwaters and muses upon life and death. She thinks about suicide and what it may (and may not) solve. At that moment, a knock is heard at the door, and, startled, she loses her footing and falls. In her fall, she strikes her head and hits the waters below unconscious, thereby drowning. Titus, who loves his sister deeply and is his only remaining family, is shattered by her death.
She stands twelve feet above the flood
She stares
Alone
Across the water
The loneliness grows and slowly
Fills her frozen body
Sliding downwards
One by one her senses die
The memories fade
And leave her eyes
Still seeing worlds that never were
And one by one the bright birds leave her ...
Starting at the violent sound
She tries to turn
But final
Noiseless
Slips and strikes her soft dark head
The water bows
Receives her
And drowns her at its ease
Drowns her at its ease
I would have left the world all bleeding
Could I only help you love
The fleeting shapes
So many years ago
So young and beautiful and brave
Everything was true
It couldn't be a story
I wish it was all true
I wish it couldn't be a story
The words all left me
Lifeless
Hoping
Breathing like the drowning man
Oh Fuschia
You leave me
Breathing like the drowning man
Breathing like the drowning man
Much
of the lyrics here are taken directly from the novel… as Robert Smith
has a beautiful way of finding the poetry in the prose. Here is the
excerpt with the corresponding lines highlighted:
"She walked unsteadily on the window. Her thought had taken her into a realm of possibility so vast, awe-inspiring, final and noiseless
that her knee felt weak and she glanced over her shoulder although she
knew herself to be alone in her room with the door locked against the
world.
When she reached the window she stared out across the water, but nothing that she saw affected her thought or made any kind of visual impression on her.
All
she knew was that she felt weak, that she was not reading about all
this in a tragic book but that it was true. It was true that she was
standing at a window and that she had thought of killing herself. She
clutched her hands togheter over her heart and fleeting memory of
how a young man had suddenly appeared at another window many years ago
and had left a rose behind him on her table, passed through her mind and
was gone.
It was all true. It wasn't any story.
But she could still pretend. She would pretend that she was the sort of
person who would not only think of killing herself so that the pain in
her heart should be gone for ever, but be the kind of person who would
know how to do it, and be brave enough. And as she pondered, she slid
moment by moment even deeper into a world of make-believe, as though she
were once more the imaginative girl of many years ago, aloft in her secret life. She had become somebody else. She was someone who was young and beautiful and brave
as a lioness. What would such a person do? Why, such a person would
stand upon the window sill above this water. And…she…would…and as the
child in her was playing the oldest game in the world, her body,
following the course of her imagination, had climbed to the sill of the
window where it stood with its back to the room.
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